El árbol

Section: Panorama

A vast belief system has been replaced with a non-believing system, and cinema deals with this change in the order of production as well as in the representation of images. Azcona Serrano’s film reflects this diminishment in symbolic sense that is concomitant to the increment in materiality, following its character for an hour as closely as the Dardenne brothers do in their films, but swapping their moral intensity with physical dispersion. What we get to know is that Santiago is a barman, se [...]

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