No Subtitles Necessary: Laszlo & Vilmos

 

In 1956, Hungarians László Kovács and Vilmos Zsigmond left their country with some smuggled footage, shot by themselves, of the people’s riots from those days and the subsequent repression from the Soviets. Exiled and starting with nothing, they helped revolutionize Hollywood with the cinematography of such films as Easy Rider, Targets, Five Easy Pieces, New York, New York (László); Deliverance, The Deer Hunter, Obsession (Vilmos); and The Last Waltz or Close Encounters of the Third Kind (bot [...]

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