Film info
Synopsis
Río de los pájaros (Aníbal Sampayo), Break It All (Los Shakers), Príncipe azul (Eduardo Mateo and Horacio Buscaglia), A redoblar (Rumbo) and Brindis por Pierrot (written by Jaime Roos and performed by Washington "Canario" Luna). Before those five songs, the directors say, there was Uruguay but there wasn't a country, because the popular songbook, above all the actions performed by historical figures, writers, soccer players and wrongdoers, is what founds a nation. And there they go, the directors, on a quest for those roots, trying to freeze the precise moment of the Poetic Foundation of Uruguay into a frame, something they know is impossible, and so they insist, and end up making the enormous film that is Hit, maybe the only one that found its way around such a simple and complicated thing as popular music. Abend and Loeff accomplish a choral movie (everyone that has to talk does so; and they say all they can say) in which, however, a solo voice can be sharply heard: the idea both directors have on the subject, always more curious and less erratic than that of the musicians. Finally, Hit becomes a sad document, as it reminds us that songs remain and people pass, and this, which is no other way around, hurts a lot.


Industry Manual




info@bafici.gob.ar
0800-333-7848 - Monday through Friday from 10am to 8pm